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Caspar David Friedrich
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| 1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich. | ||||
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Man and Woman contemplating the Moon new12/Caspar David Friedrich-772539.jpg Painting ID:: 38570 |
mk138 c.1824 Oil on canvas 34x44cm | ||
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Caspar David Friedrich
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| 1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich. | ||||
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Man and Woman Contemplating the Moon new20/Caspar David Friedrich-463853.jpg Painting ID:: 58867 |
Man and Woman Contemplating the Moon (1830?C35). 34 ?? 44 cm. Alte Nationalgalerie, Berlin. In this work, the artist depicts a couple gazing longingly at nature, in "Old German" clothes, "scarcely different in tone or modelling from the deep dramas of nature around them | ||
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